Wolverine’s Berserker Rage is Unlike Any Other in LOGAN
Hugh Jackman and highly-acclaimed director James Mangold take the iconic Wolverine character to new heights in this year’s highly-anticipated “Logan”. From their previous collaboration on the phenomenally successful “The Wolverine” in 2003 that won praise for its careful parsing of Logan’s inner tumult rather than the over-the-top action, Jackman and Mangold once again team up to give the audience the most unforgettable journey with Wolverine in “Logan”.
Even before embarking on the project, Jackman and Mangold understood that the story needed to exist apart from the dense and heady mythology of the larger X-Men franchise. Specifically, Mangold, who wrote the “Logan” script with co-scripter Scott Frank and Michael Green, set out to create a character-driven piece that would focus on Logan (Jackman), Xavier (Patrick Stewart) and Laura (newcomer Dafne Keen) as they made their way across a barren landscape. “I had this kind of strange vision in my head that I wanted to make a road movie with these characters, in a way almost trapping myself as a filmmaker,” Mangold says.
“The idea with this film was to find him in a state where his ability to heal is extremely diminished,” Mangold says. “His strength is diminished. His own health and his mental state are dark.”
Logan serves as a surrogate father to Laura as he’s the prodigal son to Charles Xavier, who is battling a debilitating illness that threatens to harm others as well in the movie. “He’s old, he’s ill, but most importantly, he’s dangerous. And the person who looks after him, mothers him, nurses him, supervises him, argues with him, picks him up off the floor when he’s fallen down is Logan,” says Stewart.
Like Jackman, the acclaimed British thespian’s performance in “Logan” represents a culmination of years of work on screen. “He reveled in this character, and it shows,” Jackman says of Stewart. “It’s a heartbreaking, beautiful, layered, textured, complex performance—at times unbelievably lucid and clear. You see the relationship with him and Logan as very sort of father-son in all its colors: pride, disappointment, anger, frustration. It all plays out.”
“Logan” sees the wizened hero find a surprising human connection, but the film also offers its most authentic, unfiltered depiction of Wolverine yet. It earns its R-rating, a first for any film in the X-Men series. “Wolverine may be one of the darkest, most complex characters in the comic book universe—all Jim and I were worried about was taking off the seat belt,” Jackman says.
But there’s no question that the movie absolutely will speak to those longtime fans of Wolverine, those who have followed Jackman’s portrayal over the last 17 years. In fact, it was critical for Jackman, as he said farewell to his extensive X-Man past, to put everything on the screen for this, his last mutant adventure. “There was a moment that I came to terms with the fact that this was my last one,” Jackman says. “I love this character, and he’s been amazing to me. I’d be lying if I said that I would have been okay if I didn’t feel everything was left on the table. And I mean everything. Every day, every scene was a kind of battle to get the best out of that character, to get the best out of me.” Concludes Jackman: “There was an element of life and death about it—I know that sounds dramatic, but that’s how it felt.”
“Logan” opens March 1 in cinemas nationwide from 20th Century Fox to be distributed by Warner Bros. Also available in IMAX (2D) screens. Rated R-16 by the MTRCB without cuts.